Swedish posters for 30 international films, c. 1921–1939

Swedish posters for 30 international films, c. 1921–1939 Hans Engelska-Fru, 1927 Sweden This looks like the work of Einar Nerman I’ve done two posts on Swedish movie posters for Hollywood films (Oct. 2012 and Jan. 2013). This one features a mix of European and American films. The designer/illustrator isn’t always printed on the poster, but some were signed by Eric Rohman and Gösta Åberg. As I mentioned in an earlier post, many Swedish movie posters from this era seem to play off of the original posters, though designers like Rohman and Åberg have strong styles of their own. The reproductions are from expired auction listings at ha.com. Die Tochter des Wucherers, 1922 Germany Ecstasy, 1933 Czech (wikipedia) “Ecstasy was highly controversial in its time because of scenes in which [Hedy] Lamarr swims in the nude and runs through the countryside naked. It is also perhaps the first non-pornographic movie to portray sexual intercourse and female orgasm, although never showing more than the actors’ faces.” Trollbruden (The Troll Bride), 1930 Sweden Duck Soup, 1933 Berlin Alexanderplatz, Germany 1931 (wikipedia) artist: Adolf Hallman Sommarsol, c. 1930 Sweden (Unknown) signed Lindstrom (?) Heritage says it “appears to be an early 1930s documentary about Swedish farming” The Last Journey, 1936 Great Britain (imdb) The Last Command, 1928 (wikipedia) Love Before Breakfast, 1936 I love Carol Lombard so much. The above one is based off the original poster. Twentieth Century, 1934 Orchids and Ermine 1927 (wikipedia) Mickey Rooney’s first film. Blonde Venus, 1932 artist: Aberg Dante’s Inferno, 1935 artist: Rohman Das Gestohlene Gesicht (The Stolen Face), 1930 Germany (imdb) Erotikon (Seduction), 1929 Czech (imdb) Amor am Steuer, 1921 Germany (imdb) Salto Mortale (Trapeze), 1931 Germany (imdb) signed Lindstrom Topper Takes a Trip, 1938 Hell’s Angels, 1930 Befriad Fran Vita Slavhandlare, 1928 Sweden From wikipedia: “Soon [Harry] Piel received the nickname ‘the dynamite director’ because of his penchant for including explosion sequences in his films. These were authentic: Piel had befriended a demolition engineer who was often commissioned to dynamite bridges and other condemned structures slated for demolition. The engineer notified Piel of these assignments in advance: Piel filmed the explosions, then inserted the footage into his films.” Whirlpool of Desire, 1939 (movie is 1935, France) The Cat Creeps, 1930 The Clairvoyant, 1935 Great Britain (imdb) The Lone Wolf Returns, 1935) artist: Castegren The Man Who Reclaimed His Head, 1934 artist: Fuchs Broken Lullaby, 1932 Gubben Kommer, 1939 Sweden (imdb) Hemliga Svensson, 1933 Sweden (imdb) Curly Top, 1935 artist: Rohman

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